Friday, May 18, 2018

A Gallery of Photos: Spring Times Ten



What late April and early May look like around here.

Crocuses in the front lawn



A tulip tree



Entry to a garden in town



The Connecticut River ... and the soft greens of the season's early foliage.


New leaves soaking up the sun.



Another view of that soft green deciduous foliage


Early May and a meadow of dandelions



A delicate pink ...



... and a vibrant pink



Apple blossoms










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Sunday, April 22, 2018

Willa, Wallace, and William



Willa, Wallace, and William:  three of my absolutely favorite authors: Cather, Stegner, and Maxwell.  Cather I knew early on, in college. Then I learned about Stegner when it turned out he was a close friend of one of my professors.  Maxwell came a bit later ... when I was working in book publishing and colleagues spoke of his excellence.



Willa was a good generation older than the other two, 1873-1947.  Wallace and William were only a year apart.  Wallace was born in 1909 and died as a result of an automobile accident in Santa Fe in 1993 at the time I was living there.  William was born in '08 and died in 2000.  But they all dealt with western or mid-western themes.

Rather than repeat much of what you can find on-line, I prefer to simply recommend though, yes, I will add a few comments about each.

Wallace Stegner's childhood was spent in Montana, Utah, and Sasketchewan--written up in his autobiography, Wolf Willow (1962) (subtitled A History, a Story, and a Memory of the Last Plains Frontier).  He eventually settled in Los Altos Hills when he began Stanford's creative writing program which included such luminaries as Wendell Barry, Ken Kesey, and Larry McMurtry.  He won a Pulitzer Prize for his novel, Angle of Repose (1971), and a National Book Award for The Spectator Bird (1976).

Among my favorites is his semi-autobiographical novel, Crossing to Safety (1987), which describes the friendship he and his wife had with another couple.  Though the names and places are changed, the other couple lived in Claremont, California.  I know that because Stegner's friend in the book--the husband--was one of my Humanities professors there.  I well remember when a classmate and I ran into him on campus one day in the late '50s and he began telling us about this extraordinary friend named Wallace Stegner who was turning out some superb writing.  He seemed quite in awe of Stegner's abilities plus the great honesty of the man.  Novelist, short story writer, environmentalist, historian, teacher.

Somewhere I read that in writing Crossing to Safety, Stegner wanted (and I may be quoting myself here in some notes I took) "to write something about a decent human being living an ordinary life, not having to resort to a writer's attention-getters of violence, death, greed."  As a long-time reader, "Bravo" is all I can say.

Then, too, Stegner is said to have made the comment:  "The lessons of life amount not to wisdom but to scar tissue and callus."  Life was not always easy for him.  But, as with writing, he once said that the harder something was to write, the easier it was to read.

As for Willa Cather, she and I share a love of the Southwest, the colors, the wide distance, the blue skies and clean air.  One of her better known titles is Death Comes for the Archbishop about Father Latour who was, in real life, Jean-Baptiste Lamy, a French Roman Catholic prelate who served as the first archbishop of Santa Fe.  He built the cathedral in the center of town ... as well as a small chapel out in the Tesuque hills where he would go on retreats.  The chapel still stands on property now owned by The Bishop's Lodge--a resort hotel where I worked briefly during college summers. Among her other great works are My Antonia, The Professor's House (with beautiful descriptions of the Southwest's mesa country), The Song of the Lark, and O Pioneers!.

Archbishop Lamy's small chapel in the hills outside Santa Fe



The chapel's interior







Archbishop Lamy.  Willa Cather gives him the name of Archbishop Latour.


Then, there is William Maxwell, a consummate writer.  No unnecessary words, nothing contrived.  I believe more than one of his works centers around the sudden death of his mother from the 1918 Spanish flu when he was a lad ... and the impact that event had on him and his father.  As in his work, The Chateau, about a young American couple in France, he likes to take experiences from his life and turn them into fiction.  And speaking of fiction, he is said to have worked with some of "the literary lions" since he was a fiction editor at The New Yorker from 1936 to 1975. Among his works are They Came Like Swallows and Time Will Darken It.



Thursday, April 5, 2018

P R I M A V E R A !!! (Whew)











Such was the message I wrote a family member on March 20th, The First Day of Spring. "Whew" was right.  Winter seemed endless.  I, literally, no sooner got back from my month in Santa Fe than we were all met with those three Nor'easter snow storms, Quincy, Riptide, and Stargaze.  Those weren't the names, of course, but you know the ones I mean.  Beastly storms!

Front lawn on the first day of spring


But my forced house-bound status put me onto a project I've been meaning to do.  One of those things on my long-term list that you can't just spend an hour or two and then tick off.  No, this project can take days, weeks.  The Big Spring Clean.  Going through everything in the house--and I do mean everything.  Holding it up to look at.  Deciding if it stays or goes.

Coincidentally, I found a just-published book that spoke of cleaning out when one gets to be, as the Swedish author described herself, "between the ages of 80 and 100."  The gist?  To get rid of things yourself so that your loved ones have less to do when the time comes. I'm not, in fact, dealing with major stuff but rather clothes that no longer fill the bill, old 33 RPM records from Vivaldi to the Kingston Trio, books/books/books, outdated files.

It's all very satisfying.

But along with those re-evaluations is the one that asks me about this blog. As of today, April 5th, I have now been at this exactly seven years--with 302 postings in all. Not bad.

So, my question:  do I continue this blog?  Answer:  yes, for now.  As long as I enjoy it and feel that I have something to say that might elicit some interest.  But ... I can't promise how long I'll continue it. Its demise might just fit into a new attitude one day.  Which reminds me of something else I was going to mention with respect to this cleaning-out thing. It also lets me make room for New Things, New Activities, Opportunities.  (I capitalize them because they're more fun that way.)  I find, for instance, that I spend nearly all my evenings reading.  So that means I read a LOT of books.  But I also get to the point where the part of my brain that I might call "Books Read" seems to get filled up.  Even filled to over-flowing.  I sometimes think of myself as a Book Junkie.  Too many.  I need to leave a little more space.

So, it can be the same with Things.  Too many.  No room for something new. So I toss out those things ready to go ... but often thank them first simply because I have fond memories of many.  So whereas it may seem that you're making room for more things, in fact you might be making room for new approaches, new attitudes, as I mentioned.

Enough said.  Happy Spring, everyone!!  Just think:  with the snow melted (which it isn't yet as I write this), we will have room for the daffodils to bloom ... then the lilacs, the iris, and on and on.



Under this sketch of this humble little flower, the snowdrop--a faithful harbinger of the season--I wrote, "Even bigger than life size, but a portal to spring ... and the sense of possibility."



Saturday, March 17, 2018

A Few Words About Voice Pitch and Speech ... Plus a Gorgeous Reading of Sonnet 130



Lauren Bacall apparently started out with a high nasal speaking voice (and a Brooklyn accent), Richard Burton with a light voice, Kenneth Branagh with his native Irish brogue.  Michael Caine, however, didn't alter his Cockney speech but cashed in on it.  As Sean Connery did with his Scottish.

As for the "perfect" male English-speaking voice, I've read that that would be a combination of Jeremy Irons and the late Alan Rickman.  With Judi Dench being among those with the "perfect" female voice.  Then there are those actors (such as Rupert Penry-Jones, Samuel West, and Jeremy Irons) who also do narration. Really listen to them sometime.  Each syllable is given its due. Their speech is slow, precise, crisp, beautifully articulated.  No slurring rush about any of it.  It's a pleasure to listen to.  The tone color and resonance of a voice is also highly important.  Sorry to say, I hear a lot of too-high, little girl voices by women (Americans, often) who, to my mind, might do well to re-see Singing in the Rain--which was all about using a well-modulated voice (Debbie Reynolds's) to dub over the story-line's leading lady's laughable pitch and pronunciation.

So (getting back to the subject) what did Lauren, Richard, and Kenneth do to deepen their voices or change their regional speech?  Or, what did their directors or voice coaches have them do?  For two--Lauren and Richard--the hills became alive with the sound of Shakespeare as they shouted out verses (it is said) for "hours at a time."  Whereas Kenneth turned to something called Received Pronunciation.  Or RP for short.  He was born Northern Irish but, at age 9, moved with his family to England where he is said to have acquired RP in order to stop being bullied about his accent.

So what is Received Pronunciation?  It's something like a BBC-tinted English-language pronunciation based on educated speech reflecting an upper middle-class status.  It is clear and precise.  Short vowels, not drawn-out drawls.  Enunciation.  Taking time to speak, not rushing it.  It is not "a royal accent" as the royals are said to have their own way of speaking. It is thought of as neutral, not reflecting the speaker's geographical origins. Anthony Hopkins, for instance, is a Welshman (as was Burton) but did not play Lear with a Welsh accent. He and other Shakespearean actors and actresses--unless, say, they were playing Dogberry in Much Ado About Nothing--used RP or something akin.  Dame Eileen Aitkens, who spoke with a Cockney accent as a child, switched to RP when beginning her work in the theater.  I read somewhere that she said that one's native regional accent would not do for the theater's great roles.



As for RP, I guess one could conclude by calling it something of an Oxbridge style.  It is also said to be Bond's accent, the 007 guy.

Getting back to the most pleasing English-speaking male voices, those would include Ronald Colman, Jack Hawkins, Pierce Brosnan, Burton, Hopkins, Irons, and Rickman.  Female speaking voices would include the great ladies: Julie, Maggie, Judi, and Helen.

Finally, speaking of Alan Rickman, listen to his reading of Shakespeare's Sonnet 130.  It's amazingly beautiful.  (If for some reason it does not come up here, Google it.)


click here







Monday, February 26, 2018

A Gallery of Photos: The Canyon Road Art Scene

"Outlook" by Jim Rennert.   (McLarry Modern)


Whenever I come to Santa Fe, I visit Canyon Road, said to be a mile long with a hundred art galleries.  It's a narrow road, mostly one-way, all in the town's pueblo-style architecture and featuring Native American pottery and silver, contemporary, abstract, figurative, and Western art, plus a goodly amount of indoor and outdoor sculpture. There are beautiful old cottonwood trees and tamarisk.  Ravens ... or are they crows? Shops selling clothing and textiles.  The Historic Santa Fe Foundation with a lovely garden in the summer.  A few casual eateries plus a couple of totally top-notch restaurants.

So it's always my pleasure to walk along Canyon Road during my visits and see what's new both inside and out.  Here are some photos of a few outdoor pieces.  (Gallery names are in parentheses.)


"Crowcado" by John Knox.  (McLarry Fine Art)


"September Song" by J. G. Moore.  (McLarry Fine Art)


Not identified.  (La Mesa of Santa Fe)

"Poppies of Oz" by Craig Mitchell Smith.  (Canyon Road Contemporary)
"Making a Wish" by Craig Mitchell Smith.  (Canyon Road Contemporary)

Not identified.  (Pippin Contemporary)

Not identified.  (Pippin Contemporary)

Not identified.  (Selby Fleetwood Gallery)
Not identified.  (New Concept Gallery)

By Allan Houser.  (Courtesy of the Houser Estate and Zaplin Lampert Gallery)










Monday, February 12, 2018

A Gallery of Photos: Santa Fe in February


So, yes, I'm spending the month of February in Santa Fe, New Mexico, where the temperatures are decent, the skies generally clear, and the air fresh.  But as much as my part of the country--New England--is experiencing a heavy winter, the folks here speak of having had no winter at all.  Barely any precipitation.  Practically no snow, no skiing.   A reduced tourist population.

But otherwise, much seems as usual.  Several stores are gone.  With new ones (mostly) taking their place.  Cashmere shawls are in the three figures. A gallery featuring silver jewelry is closing.  A Danish string quartet is performing a concert featuring Haydn, Mozart, and Brahms.  A favorite local author, Natalie Goldberg, is doing a reading.  Chile powder is being sold at the farmers' market in hot, medium, and mild strengths. Local Native American artisans still sit out under the portal at the 17th century Palace of the Governors just off the Plaza and sell their pottery, turquoise, and silver as they have for decades.  Restaurants feature plates of enchiladas, sopapillas, posole, tacos, with a choice of green or red chile. Plus margaritas, my favorite being on-the-rocks with salt around the rim.

A sign near the Plaza in the center of town



A food cart on the Plaza



The Sanctuario de Guadalupe with the oldest extant shrine to Our Lady of Guadalupe in the United States





Morning shadow on pueblo-style house


Persian lunch at a Canyon Road restaurant featuring grilled chicken marinated in lemon juice and herbs



Guan Yin, Goddess of Compassion, outside the entrance to  Project Tibet on Canyon Road


Project Tibet is through the yellow doorway.  In the foreground is Wiford Gallery and a small part of its extensive wind sculpture garden.





Chile powder choices at the Saturday farmers' market


Looking across town ...


... then toward the Sangre de Cristo mountains in the opposite direction


Window display in a shop on the Plaza


Tuesday, February 6, 2018

A Gallery of Photos: Out the Train Window


Amtrak's La Junta, Colorado, fresh air stop


It's that time of year.  Another winter, another trip outta here.  And, with it, an excuse to return to Santa Fe, New Mexico, where I am now staying for a month in a rented casita, a small but comfortable abode fashioned from a 100-year-old adobe with foot-thick walls and one of those kiva fireplaces built in the southwestern pueblo style that some people call "beehive." They're small, intimate, charming, distinctive, and aromatic, especially when burning the incense-like wood of this northern New Mexico region. Heaven, in other words.

My 3-day, 2-night trip from the East Coast via Chicago to New Mexico involved day and night tooting at each and every level-crossing, bouncing and rattling over tracks that could probably use some repair, and the realization that the dining car now features paper and plastic where it once took pride in using china coffee cups, freshly-ironed white tablecloths (and napkins) and metal cutlery.  (Ever try to cut up your chicken with a plastic knife?)  Everything is now dispensable except the glass salt and pepper shakers.  Everything is also in little packets--honey, mustard, salad dressings, butter, jam, "cream."  As well:  no toast, no fried eggs, no ice cream.

I spent my hours looking out the window and taking "snaps" (as we used to call them), jiggly focus and all.  Here are a few.

Massachusestts


Indiana


Iowa


Next morning, Kansas


 Colorado:  range-style water tank and windmill

Colorado
New Mexico.  This stretch of  highway follows the old Santa Fe Trail.

Raton, New Mexico

Five minutes away from my arrival  point